C
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朱莉娅·戴尔
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THE PLAYROOM unfolds like a dream wrapped around a family drama: four children in their attic hideaway make up a fantastic story, while downstairs their parents weave a drunken intrigue of their own. In a lyrical but gripping dual narrative, the story of the children’s life intertwines with the story they make up about their life–until the two stories collide and the delicate family structure collapses. The action plays out through the eyes of Maggie Cantwell, a tempestuous teenager who turns reality into a game and make-believe into a life-or-death undertaking. But Maggie is getting too old to believe in the tales she spins for the younger children. Before the night is over, she must confront the truth and make a terrible choice. Emotionally riveting and surprisingly funny, THE PLAYROOM is the story of how Maggie and her siblings survive the most fateful night of their lives.
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A dysfunctional family of adult film stars reunites for a memorial porn shoot following the death o***endary producer Mo Saltzman. Along the way, the films hapless director must contend with dueling divas, bickering couples, emotionally-scarred tag-team brothers, and a dominatrix with low self-esteem. Given its all-star cast and lofty pedigree, the film should be the greatest porno of all time. Mark Feuerstein (TVs "Royal Pains," In Her Shoes, Defiance, stars as a member of a dysfunctional "Family" or adult film performers who reunite for a memorial porn shoot following the death o***endary producer, Mo Saltzman. Along the way, the films hapless director must contend with dueling Divas, bickering couples, emotionally-scarred tag team brothers, and a dominatrix with low self-esteem. Given its all-star cast and lofty pedigree, the film should be the greatest porno of all time. In the tradition of Waiting for Guffman and Spinal Tap, Love Shack is a comedy that does for the adult film industry what Best in Show did for dog shows. Hilariously inappropriate!
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布瑞恩·奥克斯
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Run DMC's Jam Master Jay was shot and killed in a Jamaica, Queens recording studio in 2002. Despite six witnesses present at the murder, no one has ever been convicted.
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B.J. Perlmutt,Bent-Jorgen Perlmutt
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《旧案重提：体育场屠杀》多年来，杀害智利抗议歌手维克多·哈拉一事，一直归罪在皮诺契特军队的一位军官头上。现在，流亡的他试图为自己开脱罪责。
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Nick Willing
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Photographer Charles Castle is numbed with grief following the death of his beautiful bride. He goes off to war, working in the trenches as a photographer. Following the war and still in grief Charles is given some photographs purporting to be of fairies. His search for the truth leads him to Burkinwell, a seemingly peaceful village seething with secrets where he becomes drawn into a web of passion, romance and violence..
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蒂姆·波顿
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在罪恶横行的高汉市，有一个令罪犯们心惊胆颤的名字：蝙蝠侠。蝙蝠侠（迈克尔•基顿 Michael Keaton 饰）穿梭于最黑暗的角落，四处打击罪恶。在一次打击罪恶的行动中，蝙蝠侠令匪徒尼巴（杰克•尼科尔森 Jack Nicholson 饰）落入了化学池。尼巴因此面部神经受损，成了永远咧嘴笑的笑面人，人称“小丑”。 “小丑”杀死了团伙的首领，控制了整个高汉市的黑道。“小丑”利用化学药品让人发笑而死，他用这种方法袭击了博物馆，幸得蝙蝠侠及时赶到，挫败了“小丑”的阴谋。在女友碧姬（金•贝辛格 Kim Basinger 饰）家里时，“小丑”突然袭击，蝙蝠侠巧妙躲过了袭击，意外发现“小丑”就是杀死自己的父母的仇人。 “小丑”这次虏走了蝙蝠侠的女友碧姬，约定蝙蝠在教堂楼顶决一死战！
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Craig Moss
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先来看看这个片的片名——“The 41 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It”（这个让莎拉·马歇尔怀孕、并且感觉“超级坏”的41岁老处男，这么翻译起来真拗口啊），神奇的不是哪位阿帕图的粉丝把这三个片（《40岁老处男》、《超级坏》、《忘掉莎拉·马歇尔》）揉在一块，神奇的是这么个山寨片还做得有模有样，并且还能发行DVD！（亚马逊上面已经有卖的了）总之，比起原片，山寨版更雷更猥琐，大家看看图个乐。
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Adrian Shergold
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一个男人由于患上了强迫性神经官能症，生活面临崩溃。可是在这样关键的时刻，他竟然遇上一段意想不到的风流韵事。黑色幽默的故事让观众惊喜连连。 The British indie DIRTY FILTHY LOVE offers a quirky spin on the standard romantic-comedy formula with the tragicomic misadventures of its neurochemically-addled hero. Mark Furness (Michael Sheen) is a thirtysomething architect whose marriage and career are threatened by his increasing obsessive-compulsive disorder and Tourette’s syndrome, which include repetitive and completely involuntary activities such as stair-counting, hand-washing, and swearing. When his wife Stevie (Anastasia Griffith) files for divorce and he loses his job to a subordinate, Mark turns to his doctor for help but instead meets a kindred soul, Charlotte (Shirley Henderson), who immediately diagnoses Mark’s mental disorders and offers him therapy via her own self-help group. The film’s darkly humorous yet poignant tone is carried by Sheen’s nuanced performance and an unsentimental script co-penned by Ian Puleston-Davies, whose own experiences with OCD lend authenticity to the proceedings.